Hastily, their lust turns to love until another tragedy forces them apart.
During a midsummer night, Danny and Ripper’s paths cross, forever changing their lives. Once a man who always had a smile on his face, his life takes a turn for the worst when a tragedy befalls him, leaving him scarred and broken. Erik “Ripper” Jacobs is the Sergeant at Arms in the Hell’s Horsemen. A sweet and beautiful girl, she loses her way, searching for things that are always out of her reach. Their story is about what can be born from nightmares.ĭanielle “Danny” West is the daughter of Deuce West, President of the Hell’s Horsemen Motorcycle Club.
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Instead, their love blossoms in a secret world full of crime, violence, and death. Theirs is not a world with sunshine and roses. This is an impulsive whirlwind romance between two lovers that are not meant to be together. This is a story about pain, sorrow, and suffering. Donati has given us a book that is easy to read.Warning: This is not a story about fate or destiny. It seems these days that very few people know who she is, let alone what she managed to achieve in an industry that was very much ruled by men.
It surprises me that there are not more writings dedicated to the career of Ida Lupino. The writer also provides an adequate insight into Ida Lupino the person and the neurosis that motivated her for so many years. Donati's book offers a good insight into the career of Ida Lupino (the actress and the filmaker).
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Lupino's talents, I believe, are overlooked nowadays, given that she was one of the first female movie directors to come out of Hollwood, paving the way for other female directors to surface in later years. This more came in the form of movie directing. Having come from a family of entertainers, Lupino worked hard to get where she got, whilst yearning to do more.
Ida Lupino was a golden girl of the Warner Brothers lot in the 1940's. I have been a fan of Ida Lupino's eversince I was a teenager and saw her in High Sierra. "The first major biography of this great dame who helped make 'hard-boiled' an adjective not so readily affixed to an egg." - Vanity Fair About the Author "Lupino is doubtless the most prolific woman director ever to have worked in Hollywood." - Barbara Sharres, The Film Center of the Art Institute of Chicago It is a gripping read." - Audience Magazine "Like one of Lupino's own films (and Lupino's own performances), Donati's book packs much into a small space. "Lets an icon of women's filmmaking emerge as a full-fledged human being, social crusader, and artist." - Kirkus Reviews "Donati adores his subject but doesn't shrink from showing blemishes." - Publishers Weekly "An appreciative account of her life." - Utne Reader Her work is resilient, with a remarkable empathy for the fragile and heartbroken." - Martin Scorsese, New York Times Magazine "A feminist filmmaker long before the modern feminist movement." - American Bookseller She has been described by fellow directors such as Martin Scorsese as "resilient, with a remarkable empathy for the fragile and heartbroken." William Donati's Ida Lupino: A Biography chronicles the dramatic life of one of Hollywood's most substantive and innovative artists who lived her life unapologetically both behind and in front of the camera. In a decision relatively unprecedented for women in her era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system. It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives.
The star of classic films such as They Drive by Night (1940), High Sierra (1941), and Road House (1948), she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. British-born actress, singer, director, and producer Ida Lupino (1918-1995) cut one of the most alluring profiles of any Hollywood persona during the forties and fifties.
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